Final Five Images

P2, P3, P4, P5

Quite often when I’m taking photographs, I try to produce something that you can’t necessarily achieve using a camera on a phone. So, drawn to slow shutter speeds, I really wanted to produce some images like Alex Titarenko’s from my research.

My concept for this project is to show the beauty of some of London’s buildings and structures and how people of today lead busy lives and perhaps always rushing around not taking in the views.

All of my final five images were taken using a tripod to stabilise the camera and stop camera shake. I also used a neutral density filter, ND16, to allow me to use longer shutter speeds during brighter days or brighter lit areas so not to over exposed. They are also all shot with an ISO of 100. This allowed me to get the best quality photographs in daylight conditions.

Below are my final five photographs. I had originally wanted to try and produce some Black and White images taking inspiration from Alexey Titarenko’s motion blur photographs.
However after some class discussion and feedback we all decided they worked better in colour.

Liberty’s

From my recce photographs you can see that I wanted to try and capture the Liberty building. With the flow of traffic and my focus not quite right, I ended up choosing this photo below. It was taken behind Liberty’s along a pedestrian walk way leading to Carnaby Street. I felt capturing flows of people gave a better effect on my images than traffic did and keeping that ghostly feel.

Kingly Street, Liberty’s

It was a very sunny day when I captured this photograph. Even though I was using an ND filter I needed to really try and control the amount of light coming into my images. Therefore I used a very high f-stop of 25.
There wasn’t a constant flow of people walking past me so I needed to wait for groups of people to approach before taking the photograph. Any longer than 1.6-2 seconds was over exposing the Image.

Within post production I had to work a lot with the exposures on this photograph. The original image was a lot darker. Lightening the exposure allowed the centre of the photograph to be nicely exposed, brightening the darker areas of the pub entrance and building facade.
I also lightened the shadows that formed the people using the brush tool with curves on Photoshop. This draws the eye to the centre of the photograph where you can see the great detail of the pub and the motion blur from the people.

However in bringing the exposure up I had lost the colour in the sky. To bring this back I worked on a separate layer and darkened the whole photograph. Then using a mask I exposed the sky using the brush tool(soft with a low opacity). The areas around the building were tricky so zooming in helped not to darken the top of the building and chimneys.
Bringing the blue sky back into the Image created a good colour balance to the whole photograph and kept the focus towards the middle.

Covent Garden

This photograph was not my initial vision that I wanted to try and capture at Covent Garden. Trying to use a tripod in the market stall areas was not allowed and as I was using longer shutter speeds I needed to stabilise the camera somehow. I was not wanting to give up but really struggling to find a solution.

I was so pleased to be able to bend the rules and get one of my final five photographs.

Central Avenue (see photo below) was within the grounds of the market. All along the shops within were benches. I managed to set up my tripod on the smallest setting and rested it on the bench. This way, I wasn’t causing a trip hazard or breaking any rules and was able to stabilise the camera to get the shot.

Central Avenue in Covent Garden
(iPhone)

It was on this recce that I had decided to switch my lens focus from manual to auto. I have mainly used manual focus up until now, thinking to be a good photographer that is what I need to master. The only problem with that is that you think you have the perfect shot, however you get home and zoom in on a bigger screen and realise you’re just off with the focus.

Central Avenue, Covent Garden

Although this walkway was undercover there was still a lot of light coming through the windows at the top so I decided to use a fairly high f-stop to try to minimise the light. Using a shutter speed of 2.5 seconds allowed me to capture stationery people and moving people quite well.

Over all I am really pleased with this photograph. The walkway being narrower than the market halls allowed there to be a constant flow of people walking through. Exactly what I needed. I like the perspective of the image however, maybe I could have aligned the image better, made the right hand side shop fronts line up with the right hand side of the frame. This is something I could go back to do in Photoshop.

This photograph I felt looked good in black and white however to keep cohesiveness within the final five, I kept it in colour.

Leadenhall Market

This photograph is my favourite. I love all the architectural lines and shapes which are strong and stationary in the photograph, compared to the soft flowing motion of the blur from the people walking past.

Taken during lunchtime it made for a constant flow of people which was ideal for the type of photograph I want to achieve. I didn’t ask permission from anyone to take photographs here however I knew I wouldn’t be able to set up a tripod in the middle of a busy area. I found a spot close to the central area I wanted to photograph and positioned myself to one side, tucked slightly behind a pillar by a shop. This way I wasn’t causing an obstruction or a potential trip hazard.

Leadenhall Market

Within Leadenhall Market, even though you can see the light coming through the top of the structure, it still was quite dark inside. Using an aperture of F-11 I managed to use an 8 second shutter speed to capture lots movement flowing through the market hall. I am very pleased with the result.

Progressing through this project, I have gained more confidence in my ability to use Photoshop. Using several different layers, I darkened and brightened the exposure in certain places. I darkened the higher windows and over exposed pillar. Then brightened some of the shop fronts and people shadows. Lightening the shadows from the people enables the viewer to see the shapes of bodies and faces and adds balance to the image. I also slightly darkened the to corners to help draw the eye towards the centre of the photograph.

Borough Market

At Borough Market I found it quite hard to position myself with my tripod somewhere that wouldn’t be a trip hazard. A lot of the areas in the market I wanted to photograph, I would have needed to be in the middle of the central walkway or road. I did however find a spot between the market halls that I could set up my tripod safely. This was between a wall and a pillar, so the pillar protected passers-by from my tripod.

Borough Market

Using only a two second shutter speed you can make out some of the faces and body parts from the people walking past me.

Again I felt my images were quite dark so I needed to do some work in postproduction to lighten the whole photograph. Perhaps I should of changed my ND filter to ND 8, something to consider for the future.

In post production, before lightening my exposure I sharpened the image. I worked on different layers with masks when brightening the exposure, as I had to keep the top right-hand corner from being overexposed when lightened. Working on the motion blur, I lightened the shadows. This defines the blur and you start to see some faces emerge.

Borough Market

This photograph is my least favourite from my final five. I had planned to photograph five different areas however I ran out of time and decided to use this photograph also taken at Borough Market.
Shot from the same spot as the above photograph, This was the view behind me so I picked up the tripod and turned 180°.

Situated under the railway bridge, this made for some great lines from the iron beams. The converging lines bring the viewers eye down towards the centre of the photograph focusing on the central brick arch and motion blur.

Borough Market

It was quite dark under the bridge, so I was trying to let as much light come through as possible by using a lower aperture of F stop 5.6. Using a shutter speed of four seconds helped with letting more light in however the original image was still quite dark. Thinking about it now I probably should have changed the ND filter to a lower number filter, to let in a bit more light. Therefore I wouldn’t have had to do so much brightening in postproduction.

In post production I initially sharpened the photograph and used the auto button in camera raw to help guide me with the exposure, highlights and shadows on this photograph. In photo shop, I then proceeded to lighten more of the image as I felt it was still a little too dark. I wanted to see more of the lines under the bridge. I had to darken a few areas where the sun was shining through.

After doing post production on this image, I do feel that I have over done it a little across the central part. I have lighten too much and therefore lost some colour in the process, however I do like the green that I have pulled back from the metal beams.

I didn’t manage to do any test prints before I sent my final photographs off to the printers, maybe that is something I might do in the future, to really confirm I am making the right paper choice. I decided to go for a Fuji velvet mat paper. I knew I wanted to keep the paper type basic, so not to distract from the detail in the images.

The photograph below shows how I would arrange my final five images on a wall for display. I feel if all images were taken with a portrait view they would have all sit nicely together. However as one image is landscape I have set it above the other four. This allows it to sit alone above, yet leads into the other four, almost like a preview before the other stronger images.

I have taken a lot of inspiration from Alexey Titarenko’s work. I have tried to re-create similar photographs combined with my ideas for the project. Using the motion blur of people, just like Titarenko, but in my photographs I am conveying the busy lives of people passing beautiful structures and land marks.
It has been a little restricting with where I position myself to photograph, this has played a big factor in planning locations and compositions.

I have made many mistakes throughout this project like my time management, knowledge of Photoshop and remembering to charge batteries. However I am going to use them as a learning curve to take forward in my next project.
Generally I am pleased with my outcome and I will definitely continue experimenting with motion blur and slow shutter speeds.

January 30, 2020 0

4th Recce

P2, P3, P4, P5

Borough Market

Knowing that Borough Market is always busy I thought this would make for some good motion blur of people. Under the railway makes for some good structural lines and brickwork.

Leadenhall Market

I had always seen pictures of Leadenhall Market but had never been there. Steeped in history, this Indoor market was a great location for the architecture and flow of people. Now it’s more of a place to go and grab food, so when I visited at a lunchtime I captured some great motion blur of tourists and city workers on their lunch break.

Within both these areas I am happy with some of my results. I have managed to capture my idea of moving people and stationary scenery.

January 30, 2020 0

3rd Recce

P2, P3, P4, P5

Covent Garden

Heading back to Covent Garden I still wanted to try and Capture my initial idea for one of my final five photographs. The busiest area with the most footfall is the central balconies and market area, however I had to rethink how I was going to get my photograph as I wasn’t allowed to use a tripod.

I tried steadying the camera along a hand rail, however as I was still touching the camera it always led to some camera shake.

In these pictures I asked one of the stall vendor’s if I could use one of their stools to rest my camera on. As the stools were along the edge I wasn’t causing an obstruction. But I don’t think I have really captured as much motion blur or the beauty of Covent Garden as I would have liked.

Still intent on getting a good photograph, I continued to walk around Covent Garden. Around the market halls there are smaller walkways with shops. There were benches situated along the walkways. Keeping in mind that I wasn’t allowed to set up a tripod I had the idea of sitting on the bench and setting my tripod on the seat next to me. I didn’t extend the tripod and kept it small. As the camera was quite low from not extending the tripod, it gave a good angle on this next set of photographs. Also being a smaller walk way, the flow of people walking past was more concentrated and therefore I managed to capture a better motion blur.

China Town

Walking through Chinatown I thought that the lanterns would make for a great picture. However as they all independently move I was unable to get a crisp background shot with moving people. It all looks slightly out of focus.

Liberty’s

The Liberty store building has a lot of history and is very different from its surroundings. I wanted to photograph this lovely central London building with traffic and/or people passing not stopping to take in its beauty.
I found a ledge on the opposite side of the road past the pavement to position myself on. This was close to some traffic lights where the traffic often stopped so I decided to find another angle.
I positioned myself in the middle of a side road. The road wasn’t busy and I was extremely careful and considerate of the traffic.

January 8, 2020 0

2nd Recce

P2, P3, P4

I like to take someone with me when I’m travelling up to London, I never want to go by myself. But then I always feel guilty when I keep them waiting while I’m taking photographs. Today I decided to go on my own for this recce trip to Central London. The weather was bright and dry.
I pushed myself to go it alone, as I remember the other times when I bring someone with me. I’m so glad I made the trip on my own, I have the freedom to really work on getting the correct photograph.

On this recce I made a total school boy error! Should have fully charged my battery for my camera before I left home!!!!! The first thing I have learnt during this project.

Leak Street Arches

Street art and graffiti have always interested me. I love the colours and the freedom of expression that often comes with graffiti. Leak Street Arches is a great place to go and see the ever changing canvas of art.
Thinking about the brief, People in the Environment, looking at people coming especially to see or work on the environment. But also how people walk through the arches to get to work and pass the beautiful art work all around.

Gained a little confidence being on my own and asked permission to take photographs of the graffiti artists teaching a group of people.

Embankment

Covent Garden

Coven Garden has always been a favourite place of mine. I love the constant busyness of people shopping, working or passing through. With the different levels, walk ways and structure I thought this was a great place to photograph.

When taking photographs with long exposures a tripod is essential. I walked around Covent Garden setting up my tripod in several places, trying to get the right setting within my frame. Always keeping to the edges of walls or railings so my tripod wasn’t a trip hazard.
However I did get approached by a security guard that asked me to pack away my tripod as it is on private property and a trip hazard. By that time my camera battery had died so I couldn’t take anymore that day.

Before my camera battery ran out I managed to try a ND 8 Filter to stop over exposing the shots of Covent Garden when I was using longer shutter speeds (1 seconds).

I was trying to do some long exposures of the market hall roof. I didn’t quite get the opportunity to get the photo I was looking for so knew I had to re-think how to keep the camera still without the use of a tripod.

January 8, 2020 0

6th December Christmas at Kew

P2, P4

ICM-Intentional Camera Movement

Bokeh

December 12, 2019 0

Photo Editing

P2, P4

Heeling Tool

The Heeling Brush Tool on Photoshop allows you to fix inperfection such as wrinkles, spots or marks by taking information from the surrounding area.

Above is my lovely friend Vanessa at Kew Gardens. I have tried to gently smooth out some of her wrinkles and tried to keep a natural look.

December 12, 2019 0

21st November

P2, P4

Fireworks at Richmond Green

I decided to take the opportunity to try and capture some long exposure shots of fireworks. Richmond Christmas lights were being turned on and a firework display was on Richmond Green. I thought this was probably the last time this year I would be able to try and capture some photographs of fireworks.

3rd November Bonfire night weekend

As I was waiting to take some long exposure shots of fireworks along the river I took these shots below. From Ham riverside, the view of The White Swan looked so pretty. The only problem was that as it was dark I couldn’t quite make out if I had the picture in focus. Using auto focus I managed to get the foreground in focus but not so much the pub its self.

Although I was quite far away from the firework display, I think I have captured a couple of interesting shots.

December 5, 2019 0

28th October

P2, P4

Kensington Palace

I have taken these photographs on a trip to Kensington Palace with my family.

Kingsington Palace was the birthplace for Queen Victoria. She grew up there and showcases the history of her time at the palace.

This last photograph is taken of a statue of Queen Victoria. You can see the before and after. Quite a grey photograph. I wasn’t quite happy with the way the photograph came out colour wise, however I still liked the statue. So I decided to manipulate it a little in photo shop.

I wanted to bring out the sky more. Really emphasise the clouds.

December 5, 2019 0

High Dynamic Range-HDR

P1, P2, P4

In photography, the technique HDR-High Dynamic Range is used to produce an image that is similar to what you would see with your human eye.

For example, if you were inside a beautiful building, like a church, you know that to expose the stained glass windows you would set your camera to a certain aperture. However by doing this you would be under exposing the interior and therefore it would appear dark. And vice versa, if you were to expose correctly for the interior, the stained-glass window would be overexposed. In the end you are always having something over or under exposed in your photograph.

To achieve HDR image you need to capture between five and ten different exposures of the same image. Generally 1 F stop difference for each image. Then all these images are merged together to form one image through light room or photo shop. The correct exposure part of each photograph is used and in the outcome is, you have a correctly exposed image.

Using this technique you can achieve an outcome that is close to how you actually see it. However HDR photography can so easily be exaggerated and therefore your final image may look unnatural.

The image below demonstrates this. Although all the beautiful colours were probably there, it does however look fake and unnatural. Perhaps the colours were pumped up a little during the postproduction process?

Image result for hdr photography — Image taken from the internet

This next image below, shows how you can achieve a more natural look to your photograph using a HDR technique. As a photographer you can see that in one photograph you would never be able to expose for under and over the jetty. So this technique helps you show all that detail from the water and the sky within one image.

To keep the same view within my frame each time I took a photograph, I used a tripod. The only thing I changed each shot was the aperture, 3 notches (1 Fstop) each time. I started very underexposed and worked towards being over exposed.

Below is the final outcome. Within Lightroom, I highlighted all the images I needed, clicked on the PHOTO menu, then MERGE and then HDR.

HDR Image of Marble Hill House

I am pleased with the result! The view has come out exactly as I saw it. A very natural scene with the foliage and trees all equally exposed well, even at the different depths of the photograph.

On the same day as shooting Marble Hill I took photographs across Petersham Meadow, of Petersham Hotel. It was a bright day, so needed to take lots of different exposure shots to capture tall the colours from the sky and trees.

HDR Image of Petersham Hotel

November 28, 2019 0

Colour Theory

P1

The 3 Primary colours in digital imagery are Red, Green and Blue. RGB. Not the primary colours as we know them to be, Red, Yellow and Blue. This is because Red, Green and Blue are the colours found in the human eyes colour photoreceptors.

If you shine a Red torch slightly overlapping a Green torch, then slightly overlapping a Blue torch, shining 3 equal parts of the primary colours will create white colour. The photography below shows this.

Adding equal parts of the primary colours, white is seen, this is the basis of Additive colour. When working on a computer screen the colours are created with light. Additive colour mixing begins with black and ends with white. Taking away these colours the black is seen. By combining different quantities of these primary colours, brighter colours are made.

The chart above shows the primary colours and secondary colours that can be created with 2 equal parts of primary colours.

Blue + Green = Cyan

Green + Red = Yellow

Red + Blue = Magenta

The basis of subtractive colour mixing means that you begin with white and end with black. If you look at painting or printing, you start with white paper and add colour. For printers you will generally have 2 cartridges, one tri colour-CMY and one black. CMYK. When mixing Cyan, Magenta and Yellow you achieve a very dark colour, however it isn’t a true black. That is why you need an additional black cartridge. The K from CMYK stands for black (taken from the last letter in black so not to get confused with blue, B in RGB).

Colours that are next to each other on a colour wheel are known as colour harmonies. These colours will sit nicely together and compliment each other. Colours that are opposite each other on the colour wheel create a colour contrast. Contrasting colours are often used in advertising and logos. They compliment each other and create a visual contrast that captures your eye and therefore you notice them.

Yellow is used a lot in advertising due to it being one of the strongest colours. When we see yellow our eyes have to re-adjust. It will always stand out and therefore influence the viewer.

The First Colour Photographs

James Clerk Maxwell 1831-79

James Clerk Maxwell was a Scottish scientist that produced the first colour photograph in 1861.

Maxwell used the three colour method. Taking a photography with a Red filter, then a Green filter and then a Blue filter. When all three images were super impose together and a white light shone through, colours were seen. The photograph below was that image.

Sergey Prokudin-Gorsky 1863-1944

Sergey Prokudin-Gorsky really expanded on Maxwell’s colour vision and produced many early colour photographs.

This photograph below was taken in 1911 by Gorsky as part of his documentary work on the Russian Empire.

Three separate black-and-white photographs were taken through Red, Green then Blue filters. Then on a projection screen, these three photographs were combined to create a full colour Image.

November 18, 2019 0